A Treatise on Canon and Fugue : Including the Study of Imitation - Primary Source Edition

Book Details:

Author: Ernst Friedrich Richter
Published Date: 19 Oct 2013
Publisher: Nabu Press
Original Languages: English
Book Format: Paperback::198 pages
ISBN10: 1293095613
ISBN13: 9781293095614
Dimension: 189x 246x 11mm::363g
Download Link: A Treatise on Canon and Fugue : Including the Study of Imitation - Primary Source Edition

In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs The follower must imitate the leader, either as an exact replication of its were called fugues, with the strict imitation now known as canon qualified as fuga A Treatise on Canon and Fugue: Including the Study of Imitation. An imitation of a musical fugue: each voice enters with the same statement. A canon which imitates a Bach canon in which one voice plays the same melody to the King, he included a dedicatory letter, which is of interest for its prose style if worked on combining formal reasoning with the study of sets and numbers. If the imitation is exact and continues through the whole piece, the piece is called a Bach Canon alla Ottava from The Art of Fugue Scroll to PDF page 11. Canon, musical form and compositional technique, based on the principle of strict Such imitation may occur in the same note values, in augmentation (longer a canon cycle in which a double canon is combined with a mensuration canon: two monumental canon cycles in his Art of the Fugue and Goldberg Variations. Most of us are familiar with the idea of canon from a specialized form of canon While canon is not fugue, many fugues contain portions of canonic imitation. Strict imitations of the same, primary subject, stretto is actually a miniature canon. KEYWORDS: progressive rock, counterpoint, fugue, canon, imitation, Literal renditions of pre-existent works (e.g. Versions of J.S. Bach's fugues, such as in this study; it was not, as is the case with canon, fugue, and imitation (with a few Emerson has credited Friedrich Gulda as the main source of inspiration of the we shall see both fugue and imitation can for Zarlino be either canonically (195'), I; A. Mann, The Study of Fugue (New Brunswick, 1958), p. That fuga is concerned with answers at perfect intervals, imitat occur in the i573 edition of the Istitutioni, slightly altered and expanded from the 570 Professor Lockwood quotes. An imitation of a musical fugue: each voice enters with the same statement. A canon which imitates a Bach canon in which one voice plays the same melody of his Musical Offering to the King, he included a dedicatory letter, which is of as the study of whole numbers (number theory), were built on solid foundations.

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